The UPB Post:
Minds on Fire

National Bookstore Day

The estimable Harvard/MIT/Yale representative, Patricia Nelson, writes this week:

What’s a day without a bookstore? We cherish you all as wonderful retreats, browsing heavens, the perfect place to meet, the perfect date, the perfect outing with children, a wonderful daily oasis, a welcoming place of solitude, a magic theater of words, a generous place of discussion and shared passions, a constantly surprising calendar of authors and ideas, a communitarian center, a place of democracy in action.

The Guardian UK has been posting favorite bookstores for years, may I echo the sentiments of the Guardian’s  Jeremy Mercer saying:

“Bookstores are sanctuaries. Places to lose yourself, escape the harsh demands of daily life, find new ways to dream and new sources of inspiration. I love all booksellers; anybody who helps spread the word is doing noble work. But my favourite bookstores are the small eccentric independents run by passionate and usually slightly mad book lovers.”

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What is it you are writing for, anyway?

“You should start,” he told his young friend, “with no skeleton or plan.  The natural one will grow as you work. Knock away all scaffolding. Neither have exordium or peroration. What is it you are writing for, anyway? Because you have something new to say?  It is the test of the universities and I am glad you have made it yours.”

From Richardson, First We Read, Then We Write: Emerson’s Creative Process, page 25,  “Practical Hints”   (University of Iowa Press, 2009)

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The Simple Act of Reading

Now that the weather is turning cold, the type of book I seek out is one in which I can lose myself on a rainy day.  For this purpose I highly recommend Vikram Seth’s A Suitable Boy (HarperCollins, 1994).  At 1474 pages (and 2.5 pounds), this is not a book to be picked up lightly.  But this sprawling, absorbing and occasionally comic novel has plenty of rewards for those who do.  It’s surprising— 15 years after the novel was published and 57 after it is set— how many of the themes and events are echoed in today’s headlines from South Asia:  Hindu-Muslim violence, Congress Party politics, and, of course, arranged marriages.  The story is essentially about Lata, our heroine, and her mother’s attempts to find her a “suitable boy.”  Encompassing four extended families, politicians, courtesans, judges, shoemakers, Calcutta high society and Ganges pilgrimages, the connecting threads of this book are a pleasure to discover.  This book reminded me how much pleasure it is possible to get from the simple act of reading.  I ended the novel not exhausted from the length but instead wanting to read more about the characters- and fortunately for me, a sequel has been announced, entitled- what else?- A Suitable Girl.  I’ve ordered a copy for the store in case this sparks interest. Nicola DeRobertis-Theye, UPB Author Events Coordinator.

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UPB: About Authors and Readers

“We too must write Bibles, to unite again the heavenly and the earthly world.”

That’s Emerson on Goethe in Richardson, First We Read, Then We Write (Iowa, 2009), which I am nominating for UPB’s Best Gift Book of the Year.

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Tamalpais Walking; Poetry, History, Prints by Tom Killion and Gary Snyder, cloth, $50, Heyday Books 2009

A premier Bay Area woodcut artist and one of our greatest living American poets collaborate on the most beautiful book I’ve seen this year—already a local bestseller because we should all own one. It is history, it is poetry, it is the history of local poetry and the art of local natural history. The woodcuts are the best Killions you’ve ever seen, 72 views of Mt. Tam, in prints a la Japonaise. Just the cover is a thrill, and that’s just the start.  Christina Creveling,  UPB Manager

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Unpacking My Library: Architects and Their Books, Edited by Jo Steffens, Yale University Press, 2009, $20 cloth

A delightful set of meditations and lists (along with striking images of their heavily laden shelves and a gem of an essay by Walter Benjamin: “Unpacking My Library”) by several renowned contemporary architects who view their vocations and their passionate relations with printed volumes as bound up with a kindred aesthetic obsession, and for whom form, function and content (and contentment) are most happily wedded in the experience of their beloved beautiful books.  Peter Johnstone, UPB Frontman

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Food Rules: An Eater’s Manual by Michael Pollan, $11 paper, Penguin Books, 2009

Eating wisdom from a Berkeley sage in bite-sized morsels we can enjoy every day. May save our lives, or at least make them better.  William McClung, UPB

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Slow Reading Dinners at UPB

Dinner and Reading Gatherings each month

Join us around UPB’s great table, where we will eat and talk about reading in the slow lane. We will enjoy wine and edibles prepared by the Musical Offering’s genius chef Erick Balbuena, featuring many ingredients gathered from the Berkeley Hills. We ask everyone to bring a paragraph or a few words you love that must be read carefully, and savored slowly.  Martin Holden and Bill McClung, hosts

6 to 8 on

September 28, October 18, November 22, 2011

$40 per person, wine, tax, and gratuity included

($15 for students and starving artists)

Reservations please at outreach@universitypressbooks.com

Or at the UPB Front Counter, or reply to this posting.

UNIVERSITY PRESS BOOKS/BERKELEY

2430 BANCROFT WAY 548-0585

Juan Garcia reading from "Soil and Civilization, January 2010

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Just a Phrase I’m Going Through: My Life in Language by David Crystal, Routledge, 2009, paperback, $26.95.

I’ve just finished reading British linguist David Crystal’s autobiography.  Often hilarious, sometimes poignant, it’s a sheer delight.  The author’s curiosity and zest for everything linguistic (and beyond) is infectious.  John Lawler’s review of this book says of the first chapter, “Being a Linguist,” that “every linguist in the world will go yessing through this chapter.”  I would add that many a faculty member these days will nod vigorously through a later chapter’s description of academic life during the financial cutbacks of the Thatcher years!  This book will interest anyone who enjoys language, whether or not they are professionals in this field.  Sorayya Carr, UPB

•   •   •

Nietzsche on Slow Reading

Vincent Gillespie, J.R.R. Tolkien Professor of English Literature and Language at Oxford University and Distinguished Professor for Medieval Studies this term at Berkeley offers this to our Slow Reading endeavours:

Nietzsche Preface added to the 1886 edition of The Dawn:

I have not been a philologist in vain – perhaps I am one yet: a teacher of slow reading… Philology is that venerable art which exacts from its followers one thing above all – to step to one side, to leave themselves spare moments, to grow silent, to become slow – the leisurely art of the goldsmith applied to language: an art which must carry out slow, fine work, and attains nothing if not lento. For this very reason philology is now more desirable than ever before; for this very reason it is the highest attraction and incitement in an age of ‘work’: that is to say, of haste, of unseemly and immoderate hurry-skurry, which is intent upon ‘getting things done’ at once, even every book, whether old or new. Philology itself, perhaps, will not ‘get things done‘ so hurriedly: it teaches how to read well: i.e. slowly, profoundly, attentively, prudently, with inner thoughts, with the mental doors ajar, with delicate fingers and eyes.

Friedrich Nietzsche, The Dawn: Thoughts on the Prejudices of Morality, published in German 1881, and with a new preface in 1886. This quotation tr. J.M. Kennedy.

•   •   •

BEST BOOKSTORE: Expert Pick

“. . . a specialized, localized haven. . . University Press Books, offering a super and sizeable selection of niche. The store’s intimate aesthetic is more a dream-library than a place of business. And this reflects its mindset, for the store is no profit-maximizing firm, but its own special ecosystem, privileging the small and the slow, and savoring rather than consuming. Its genres pay respect to the particularity of literature, where fiction and nonfiction become laughable barriers. The store further challenges artistic norms in breaking down the author-reader boundary that most stores favor; the writer events are dialogue rather than diatribe. University Press Books is my Mecca for scholarship and thought. And to borrow the words of poet Brenda Hillman, it is ‘the love of my life. Well, one of them.’”  The Daily Californian, 15 April 2010, Hallie Kutak, Co-Editor-in-Chief of Berkeley Poetry Review.

•   •   •

Twain-a-mania

One hundred years after the death of Mark Twain, the publication of his autobiography by UC Press is looking like the publishing phenomenon of this new century.  The excitement caught even UC Press by surprise as their first print run sold out, and they are churning out more as fast as they can.  Here at UPB, we have just put a picture of the book’s cover on our bestseller table because we can’t keep enough copies of the book itself in stock!  We are looking forward to our event with editor Benjamin Griffin on December 16th.  For interesting background on the autobiography and the Bancroft Library’s Mark Twain Project, see http://www.eastbayexpress.com/ebx/mark-twains-last-stunt/Content?oid=2138536.
 
And this is just Volume One!

•   •   •

The Art of Publishing at UPB

On December 13, 2010, three legendary local publishers  – Malcolm Margolin, Lynne Withey, and Ernest Callenbach — came to UPB to talk about the joys and challenges of publishing in Berkeley over the last 50 years, mainly at the University of California Press and Heyday Books, where there has been an immense outpouring of creativity. A smudge on the lens of the house camera rendered most images useless, but something about the one below seems almost right as Malcolm Margolin sometimes describes himself as lost in a cloud of metaphors for his love of Heyday and publishing, and Lynne Withey sternly reminded us that university publishing is a business.

•   •   •

The Argument Culture Lives On

I am re-reading The Argument Culture: Moving from Debate to Dialogue by linguist Deborah Tannen.   It was published in 1998, but as Washington wrangles over the debt and deficit crisis I find this book to be more relevant than ever.  In fact, I wish every member of Congress, the President, and the press would read and ponder it thoughtfully.

Tannen describes the consequences of what she sees as a culture of argument and critique in our society.  In academia, this is manifested in a sense that only negative commentary shows truly critical thinking.  In journalism, there is a compulsion to frame everything in terms of two opposing sides.  This precludes more nuanced multisided approaches and in some cases overlegitimizes fringe opinions unsupported by fact.  Also, too frequently the press feels it’s done its job by presenting two sides without taking the added step of investigating the truth of their arguments.   Meanwhile, in politics, there is a downward spiral of public discourse into increasingly partisan vituperation.  Sound familiar?

In light of the current debate in Washington, the following quotes seem especially apt:  “The term ‘compromise’ has two senses.  It can mean ‘weaken, undermine, destroy’….  It can also mean ‘give in for the purpose of reaching agreement.’  The first sense of the word is decidedly negative, but the second sense could well be positive.  In recent years, even this sense of the word has taken on negative connotations….  There was a time when the ability to compromise was considered a great strength.  Henry Clay…was called the ‘Great Compromiser’ — and this was said with admiration.”

The Argument Culture is still available in paperback, and we are going to reorder it for our stock at UPB.  If enough people read and act upon it, who knows — maybe we can start to change the public discourse for the better.

Sorayya Carr, UPB   /   Posted on July 30, 2011

•   •   •

Is Bookselling a Profession?

My old publishing buddies — Stanley Holowitz, Ernest Callenbach, Czeslaw Jan Grycz, Grant Barnes, and I — have been talking about professionialism and whether the honorific and challenge can be rightly applied to bookselling, particularly  at UPB/Berkeley.

Callenbach in his thoughtful way writes:

A sense of professionalism always, I think, involves some kind of community of colleagues—who influence, educate, and sometimes discipline each other. It is not a matter of certification, or even accumulation of an agreed canon of knowledge, but a social process. And so it thrives in societies where merit is appreciated more than connections, where hard work is respected no matter its mental or physical  aspects, and where a significant public recognizes the deserved reputations of the professionals.

“But I actually like better the French concept of metier, which can include bakers, street-sweepers, laundresses, waiters, taxi-drivers, and certainly book-sellers on any level: anyone who does a job with maximum finesse, sensitivity, perfection, for all to see. . . .”

The challenging work of selecting and selling serious  books to intellectuals awash in alternatives has, I maintain, potentially all those characteristics, much like publishing itself.   I want my dermatologist to be a professional in every way, though what he does every six months is tediously (for him) look at the pre-cancerous spots on my face and shoulders and then zap them with liquid nitrogen.  Part of professionalism is to do work, over and over again, that is repetitive for you, but highly important for each recipient.  And there is a great deal of knowledge, skill, and care in doing so well.  William McClung

•   •   •

Is Bookselling a Profession? II

I’ve had some blowback on my preoccupation with this question. Barnes says “don’t be patronizing/manupulating,” Creveling says “of course it is,”  Lopez and Sutton say, “sure, but we don’t need this,” and Karen says “get over it, this is getting tiresome.”

Maybe Metier — as Callenbach and Bensky have suggested — is a better word: métier . . . .a trade, profession, or occupation : those who work honestly at their métier.• an occupation or activity that one is good at : she decided that her real métier was grand opera.• an outstanding or advantageous characteristic : subtlety is not his métier. ORIGIN late 18th cent.: French, based on Latin ministerium ‘service.’  Oxford American Dictionary

That’s about work and money, of course, but there is more than that in this.

It is also about beauty, intense interest, carefulness, and art.  Take a look at Vermeer’s marvelous painting of The Procuress below.  At our our best, I think that is what we are about, too — buying and selling, beautiful presentations, intense interest and value, social pleasures.          William McClung

         

 

 

 

 

•   •   •

Is Bookselling a Profession? – III

A professional bookseller buys and sells properties, much like a publisher or the procuress in Vermeer’s great painting below.  It is work, money exchanges hands, people are rewarded by buying and selling.  It takes knowledge, judgment, skill, time, caring, and an ability to manage money.  Some do it for a short time, some long.  Sometimes it adds up to something riveting, as this month at UPB:

Note the heads in this image of the audience listening to the man half-hidden on the right on November 29, 2011 during a  UPB Conversation with Brandi Catanese on her book The Problem of the Color(blind): Racial Transgression and the Politics of Black Performance published by Michigan.    William McClung

 

 

 

•   •   •

PRODIGAL PROUST by Patrick McMahon

Mention Marcel Proust’s a la Recherche du Temps Perdu (In Search of Lost Time, or Remembrance of Things Past) and the inevitable observation will concern its sheer length, three thousand plus pages and six or seven volumes depending on the edition. To have read it in its entirety, as few do (although many quote) is widely considered to be a monumental achievement. “I always wanted to read Proust” otherwise inveterate readers will say, as one might wish to run a marathon. Meanwhile I feel that the novel’s daunting reputation is misleading, that its better measure is abundance, rather than length. An even better word, coming from the author himself, would be prodigal, prodigal in its several senses: lavish, wasteful, spendthrift, and all these wrapped up in the biblical parable of the Prodigal Son.

In the course of our recently completed “Reading Proust at University Press Books” series, the word came up in discussing a passage describing an herbal infusion of lime flowers—the same beverage that famously figures into the earlier episode of the narrator’s dipping a crumb of madeleine in lime flower tea and having the taste inspire memories of his childhood in the French village of Combray. As we read the passage aloud in our meeting—a custom of which we’d become fond, the best way, we found, to savor such delicious prose—one phrase in particular jumped out at us. As Marcel looks into the tangle of blossoms and stems, looking more and more deeply, as with a dissecting microscope, into its layers, noting “a thousand, small useless details,” he refers to “the charming prodigality of the pharmacist” (who had prepared the infusion). We were puzzled by that word choice, common to the several translations we were reading from, and went to the French to find that it was indeed Proust’s word—“prodigalite.” Why just that word, not the one would expect in regards to a pharmacist? As we looked into the matter together, other shadings came forth, generous being one. Even after the discussion the matter continued to preoccupy us, and there was a subsequent string of emails regarding pharmacists and herbalists, lime blossoms and lindens, and inevitably, etymology. From the O.E.D.:

PRODIGAL

1 spending money or resources freely and recklessly; wastefully extravagant : “prodigal habits die hard.”

2 having or giving something on a lavish scale : “the dessert was crunchy with brown sugar and prodigal with whipped cream.” See note at profuse.

Wastefully extravagant, lavish, abundant, profuse: the prodigality of the pharmacist also stands for the sumptuousness of Proust’s prose as well as the equally extravagant luxury of reading it. (Who has the time anymore!)  But whether indulging in a lavish dessert or lavish literature, the delight is doing so in good company. And so, in our readings and discussions we indulged in a prodigality of reading pleasures. A different approach, indeed, to that of the marathon. Reading our relatively brief selections (adding up to around 30 of the 3,000 pages, or 1% of the total), the matter of length did not daunt us, did not even occur to us. A word, a phrase, a passage, contains worlds. As Proust himself said of his madeleine epiphany, villages and churches, parks and rivers, emerged from his cup of tea.

 

 

 

 

•   •   •

Why We Mustn’t Let Online Retailers Take Over the Retail Landscape


Before you put in that next order for a cheap, convenient, tax-free purchase, please consider this:


http://motherjones.com/politics/2012/02/mac-mcclelland-free-online-shipping-warehouses-labor?page=1


http://www.mcall.com/news/local/mc-allentown-amazon-complaints-20110917,0,7937001,full.story


If the working conditions described in these articles trouble you, remember that we as consumers have the power to make a difference.  Those of us who choose to pay a bit more for free-range chicken eggs or certified humane dairy products, or who buy fair trade products from abroad, are exercising that power.  We respectfully ask you to consider doing the same with your other purchasing decisions, and patronizing independent bookstores as well.

Please pass this along to your friends and colleagues.  Sorayya Carr, Partner and Manager

 

•   •   •

Sad Harvard/Yale/MIT Book Deaths at UPB/Berkeley

The long-slow decline at UPB/Berkeley has been driven, in large measure, by the decline of our ability to finance a deep inventory of the wonderful-but-often-slow-selling books published by university presses. Some 10,000 individual titles from the most important presses have been removed over the last decade in the ebb and flow of fewer new books ordered, many often sold but not reordered, and many sadly returned for credit.

At current prices, it would cost us some $200,000 to sustain the level of inventory we gloriously had near the fin-de-siècle, and we just don’t have that kind of money. The publishers don’t help by requiring payment in 30 to 90 days.  So, to pay our bills we return for credit books that don’t sell fast enough, a dismal lose-lose-lose-lose action for us, the publisher, the authors, and our customers.

Here’s a picture of Karen McClung, our bill-payer and return-for-credit expert with eight boxes containing 168 books being returned to the TriLiteral Presses Harvard, Yale, and MIT:

Harvard, Yale, Returns, April 2012

 

 

 

 

 

 

 

 

 

 

 

And here’s a detail of the beautiful words on the wall behind her:

World-losers and movers and shakers.  Each of those 168 books wanted to be a mover and shaker, but each has had, as a world-loser, a little death at UPB this  week.

•   •   •

Seeking Partner at UPB/Berkeley

We are looking for a qualified and capable investor/partner/manager to assume major responsibilities for the complex of cultural businesses located in our building at 2430 Bancroft Way in Berkeley.

The circumstances and conditions that describe this can be  viewed at

UPB-Berkeley Opportunity 5_12

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About the UPB Post

We intend this UPB Post to be a kind of BERKELEY READS forum, a place where we and our intellectual friends can project what we find in books.

You can blog here, too, by sending not more than 300 words to us at this email address.

Occasionally we will post a cri de coeur for the fate of books and our bookstore, seeking respect and support.

* * *

And an occasional joie de vie as there is so much good life in the books we carry and in this place.

Post Authors

  • Martin
  • Nicola DeRobertis-Theye
  • Pablo Lopez
  • Patricia Nelson
  • Sorayya Carr
  • William McClung
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    Marcel Proust at UPB
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